LOLAPALOOZA TOUR
With each passing day, singer Maynard James Keenan and his
bandmates in Tool - guitarist Adam Jones, bassist Paul D'Amour and
drummer Danny Carey - take on more status in the alternative music scene.
With "Undertow" certified platinum, Tool now faces the dreaded
sophomore jinx. The band is confronting the demon head on, embarking on a
brief California tour before entering the studio to record its second
album (the tour stops at the Warfield Theatre tomorrow)*
Q: Why are you doing this tour?
A: People involved in corporate bands tend to think in terms of touring
while the buzz is out on the band. But that's not really how we're
thinking. We just want to blow the dust off, and it kind of helps in the
middle of writing to go in and do some shows. Once the new tunes are
locked in, then it makes it easier to write even more new songs.
Q: What's the difference between the new songs and your previous material?
A: I think (the new album will) be completely different from the first.
I've just got a feeling that a lot of the fans who got into us and heard
a lot of Pantera in the sound are definitely not going to like the new
record.
The first thing we put out was "Opiate". That was a pretty
aggressive record, but it needed to be angry because that's where our
heads were at - it was our primal scream, so to speak. But I think that's
mellowed out, and there's a lot of different stuff on our minds right now
that doesn't have much to do with anger and frustration. Personally, my
thoughts are more introspective.
Q: To what do you attribute that introspection?
A: Well, we've traveled overseas, and you see so much more when you open
yourself up to different countries, different people and music being
played by different musicians. When you see how other people live and
their struggles and aspirations, you go through a change. You tend to
come to terms with a lot of the shit going on in your own small world.
It's like, "Wow, I was moaning about all the junk in my life, and it was
such a waste of energy."
Q: The "Prison Sex" video seemed to strike a chord with just about
everyone who saw it. What are your impressions of the clip?
A: In a lot of the music you'll find open spaces for your own
interpretation. In the "Prison Sex" video you question whether the song
is actually being sung from an infant's point of view, or from the
antagonist's point of view. But there's definitely a cycle involved, a
push-and-pull.
Q: Though critics hailed the "Prison Sex" clip as a breakthrough video,
MTV stopped airing it after only a few viewings. Were you disappointed
that the network didn't put it's muscle behind a video that dealt with
such a sensitive topic?
A: What got to me about the whole situation was, here you have these
other videos where Steven Tyler's daughter is stripping in front of old
men, or where Janet Jackson is practically having oral sex. I kind of
find that disturbing, yet it's something that's just thrown in people's
laps and they don't think twice about it. So I guess anything that deals
with that sort of ('Prison Sex') subject matter is going to end up
hitting road blocks.
Q: The first album seemed to deal quite extensively with power and
corruption.
A: I used to work in video. And when you're working 20 hours a day on
video sets for people who really don't give a damn about you then you
start really to get a feel for how little you mean to the people around you.
Q: Billboard pronounced you a big winner at Lollapalooza. How did you
feel about that?
A: It's such a popularity contest. I appreciate their attention, but I'm
really skeptical about what portion of the attention is sincere, and what
portion is just them saying something to cover their ass if something
happens with us.
Q: Who would you say are influences?
A: I think I'm influenced more by moments or events rather than bands.
Take somebody like Tom Waits, for instance. If you want to focus on him
then that's great. But look at the stuff that influenced him - the piano
and the bar, the drunks, the bosses who won't hire losers. Combine all
those things with where he was born, and it culminates in a moment. When
you're writing it helps to look at the whole picture.
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